{"id":2075,"date":"2022-09-29T11:33:27","date_gmt":"2022-09-29T15:33:27","guid":{"rendered":"https:\/\/magazine.alumni.ncsu.edu\/?p=2075"},"modified":"2022-09-29T11:33:27","modified_gmt":"2022-09-29T15:33:27","slug":"turning-the-double-play","status":"publish","type":"post","link":"https:\/\/magazine.ncsu.edu\/2022\/turning-the-double-play\/","title":{"rendered":"Turning the Double Play"},"content":{"rendered":"\n

Being the director of the television broadcast of a Major League Baseball game may seem like a straightforward affair that doesn\u2019t require much creativity. Point a camera at the pitcher, show the batter as he tries to hit the ball, and then capture the fielders as they catch and throw the ball. Toss in a few shots of the fans and a graphic on the league standings, and you\u2019ve got the bases covered, so to speak.<\/p>\n\n\n\n

Of course, few things are as simple as they may seem to outsiders. That\u2019s particularly true with John DeMarsico \u201909, the game director for SNY, the regional sports network that broadcasts New York Mets games.<\/p>\n\n\n\n

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DeMarsico sees the game from a variety of angles.<\/figcaption><\/figure>\n\n\n\n

DeMarsico is reinventing, bit-by-bit, how television broadcasts a baseball game. He has brought a cinematic flair to SNY\u2019s coverage of the Mets, creating a different look to the broadcasts that has caught the attention of fans and other media outlets. One example that went viral online was when DeMarsico had a cameraman follow the Mets\u2019 ace reliever Edwin Diaz as he made his way in from the bullpen to the pulsating song \u201cNarco,\u201d by Blasterjaxx and Timmy Trumpet, taking the time when a commercial would normally air to create a sense of the dramatic showdown coming between the pitcher and batter.<\/p>\n\n\n\n

The New York Times<\/em>, in an article this summer, described DeMarsico\u2019s approach: \u201cHe uses unusual camera angles, forgoing the typical center-field shot at crucial moments, instead filming the action from behind the right fielder or near the visitor\u2019s on-deck circle. He employs split screens to highlight confrontations between pitcher and batter. In a tense at-bat between D\u00edaz and Milwaukee Brewers outfielder Christian Yelich earlier this season, DeMarsico began the shot with D\u00edaz\u2019s face in the left side of the frame. He then faded in Yelich\u2019s face on the right side, gradually having D\u00edaz disappear. Fans had a chance to truly see the pitcher and the batter staring each other down.\u201d<\/p>\n\n\n\n

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DeMarsico\u2019s Favorite Baseball Movies<\/h2><\/a>
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